“The core form conceptions are based on the famous “brush dances”. The body, put into wandering, circling, eruptive dynamics, speaks first. Then, in a next, separated step, Gläsker integrates the weaving delirium into controlled lineswings.”[…]
“Not seldom Gläsker chooses the circle as a framework: the most closed, inward-looking format, which as Tondo was a favorite form of the Florentine fresco Renaissance.
A world of its own, which excludes and delimits and hardly keeps any contact to the environment.”
Quote: Prof. Dr. Manfred Schneckenburger from Horst Gläsker “Seduction of space”